Necklace is a jewelry article worn around the neck. Necklaces may be one of the earliest types of jewelry worn by humans. They often serve ceremonial, religious, magical, or confectionary purposes and are also used as a symbol of wealth and status, given that they are generally made of precious metals and stones.
The main components of the necklace are ribbons, chains, or wires wrapped around the neck. This is most often given in precious metals such as gold, silver, and platinum. Necklaces often have additional attachments suspended or inserted into the necklace itself. These attachments usually include pendants, counters, amulets, crosses, and precious and semi-precious materials such as diamonds, pearls, rubies, emeralds, garnets, and sapphires.
Video Necklace
Kalung Historis
Prasangor Prasejarah
Prehistoric societies often use natural materials such as feathers, bones, shells, and plant material to create necklaces, but by Bronze Age metal jewelers have replaced pre-metal jewelry. The necklace was first portrayed in the statue and art of the Ancient Near East, and an early necklace made of precious metal with inset stones was created in Europe.
Ancient Civilizations
In Ancient Mesopotamia, cylindrical seals are often strung together and worn as jewelry. In Ancient Babyl, the necklace was made of agate, lapis lazuli, agate, and gold, which was also made into a gold chain. The ancient Sumerians created necklaces and beads of gold, silver, lapis lazuli and carnelian. In Ancient Egypt, a number of different necklaces were worn. The upper-class Ancient Egyptians wear collars of organic or semi-precious material and are valuable for religious purposes, celebrations, and funerals. These collars are often decorated with semi-precious jewelry, glass, pottery, and hollow. Beads made of various precious and semi-precious materials are also often strung together to create necklaces. The gold formed into a stylish plant, animal, and insect form is also common. Jimat also turns into a necklace. In Ancient Crete necklaces worn by all classes; farmers wear stone on hemp yarn while beads are wearing agate beads, pearls, carnelian, amethyst, and rich crystal stones. Pendants formed into birds, animals, and humans are also worn, in addition to attaching beads.
In Ancient Greece, a gold necklace made with repousse and gold wire was worn. Most often these necklaces are decorated with blue or green enameled roses, animal shapes, or vase-shaped pendants that are often specified with edges. It is also common to wear long gold chains with kite acting and a small container of perfume. New elements were introduced in the Hellenistic period; Colored stones allow for poly-chromatic pieces, and finial animal heads and spears or shaped pendant shoots hung from chains. Ancient Etrurcans used granulation to create granulated gold grains strung with glass beads and fayau beads to create colorful necklaces. In the Ancient Roman necklace there are among many types of jewelry worn by the Roman elite. Gold and silver necklaces are often decorated with foreign and semi-precious objects such as amber, pearl, amethyst, sapphire, and diamond. In addition, pearl ropes, gold plates with enamel, and sparkling stones given gold filigree are often used. Many large necklaces and materials that adorned the necklace were imported from the Near East.
Later in the empire, after a barbaric invasion, colorful and striking jewelry became popular. In Byzantine era, pearl ropes and gold chains emerged most often, but new techniques such as niello use allowed necklaces with brighter and more dominant gemstones. The Early Byzantine era also saw a shift to typical Christian jewelry featuring a new Christian iconography.
Non-Classical European Necklace Timeline
2000 B.C.E- 400 C.E : The bronze auxiliaries that arise with corals are common. In Europe Celtic and Gallic, the most popular necklace is heavy metal torque, made most often of bronze, but sometimes made of silver, gold, or glass or yellow beads.
400 C.E.- 1300 C.E :
Early European barbarian groups liked a wide and complex gold collar unlike a torc. German tribes often wear gold and silver pieces in elaborate detail and adorned with stained glass and semi-precious stones, especially garnets. Anglo-Saxon and Scandinavian groups work mainly in silver, due to gold deficits, and patterns of wrought and animal forms to the neck-rings. On the Gothic period necklace is rare, although there are some notes of diamonds, rubies, and pearl necklaces. It was not until the adoption of necklines below then in the Middle Ages that necklaces became common.
1400 CE-1500 CE : During the Renaissance it was fashionable for men to wear a number of chains, placards, and pendants around their necks, and by the end of the 15th century, the richest people would wear fine clothes. , a collar covering the shoulders adorned with gems. Women usually wear simpler pieces, such as gold chains, or sequins or pearls strung together. At the end of the period, larger and more large pieces are generally decorated among the rich, especially in Italy.
1500-1600 C.E : Ropes and long pearl chains with precious stones are usually worn. In the second half of this century, natural jewelry, such as corals and pearls, joins enamels and metals to create intricate pendants. Heavy gems, fine cameo pendants are also popular. Chokers, the latter worn in ancient times, also made a revival today.
1600-1700: Some men in the Baroque period wear jewelry, and for simple female necklaces, often a simple string of pearls or metal strands mashed and finely decorated with small stones. Later in this century, after the discovery of new diamond cutting techniques, the priority for the first time was given to the gem itself, not the arrangement; it is common for gems to be embedded in black velvet ribbons. Miniature is also increasingly popular, and is often made into a portrait or locket pendant.
1700-1800: Pendant pendants still in use, and in exceptional gem settings. The rich new bourgeoisie delighted in jewelry, and new imitation stones and imitation gold enabled them more access to the necklace at the time. In the early part of this century, the dominant style was a velvet ribbon with pendant pendants and a rivi̮'̬re necklace, a row of large precious stones surrounded by other precious stones. In the mid-century full of color, strange necklaces made from original gems and imitation are very popular, and the end of this century sees a neo-Classical rise. In the Age of Enlightenment dress often features a neck ruffle that women are accented with neck ribbons rather than traditional necklaces, but some women wear robes that are decorated with rubies and diamonds. Pearl seeds were introduced to the United States during the Federalist Era, leading to an increase in lacy pearl necklaces.
1800-1870: The low neckline of the current fashionable court dress leads to the use of large necklaces arranged with precious gems. In the palace of Napoleon, the ancient Greek style became fashionable, and the women wore a string of pearls or gold chains with brilliant acting and gems. In the Romantic period necklaces it's amazing: it's fashionable to wear tight collars, gem-studded gems with matching gems attached and rose gems with pearl borders. It is also common to wear a gem brooch that is attached to the neck ribbon. Some of the fancy necklaces they make to be unpacked and configured into shorter necklaces, brooches, and bracelets. The highly adorned Gothic necklace from England reflects the crenelations, vertical lines and high reliefs of the cathedrals. Epress Eugênie popularized the bare dà © à © colletage with several necklaces on the neck, shoulders, and chest. There was also an interest in ancient times; the mosaic jewelry and the Roman and Greek necklaces were reproduced. Jewelry making machines and electroplating allow the entry of cheap imitation necklaces.
1870-1910: The Edwardian era saw the rise of a pearl necklace, in addition to a gold or platinum leash collar with diamond inserts, emeralds, or rubies. The Art Nouveau movement inspires symbolic and abstract designs with natural and animal motifs. Materials used - glass, porcelain, bronze, ivory, mother of pearl, horn, and enamel - are not used for their value, but for their appearance.
1910-1970: Costume jewelry popularized by Chanel, and glass beading straps are common. The Art Deco movement creates chunky, geometric jewelry that combines several types of gems and steel. In the 1960s, imitation jewelry was widely used, which produced seasonal and ever-changing styles of necklaces and other jewelry. Real jewelry common in this period includes a fully geometric or organic shaped silver necklace, and precious gems mounted on platinum or gold necklaces inspired by the French Empire. The love beads (single strand stone or glass beads) and pendant necklaces (most often made of leather straps or metal chains with metal pendants) are popularized and worn mostly by men.
Maps Necklace
Classify Necklace
Necklaces are usually classified by length.
- Choker
- 35 cm (14 inches) to 41 cm (16 inches) in length and height in the neck.
- Princess Necklace
- Princess necklace is 45 cm (18 in) to 50 cm (20 in) long, longer than a necklace, but shorter than a matinee.
- Matinee necklace
- The long matinee necklace is 56 centimeters (22 in) to 58 cm (23 in) long - usually a single strand located at the top of the cleavage.
- Opera Necklace
- The opera neck has a length of 75 cm (30 in) to 90 cm (35 in) and is on the breastbone.
- Rope necklace
- The rope necklace is a necklace longer than the length of the opera.
- Lariat necklace
- A trap is a very, very long variation on a rope, with no buckle, often worn several times tied around the neck; the edges can be crossed, looped, or tied in various ways. This type of necklace sometimes combines a circle on one or both ends to allow it to be used in a lasso style, or it may be used multiple times with the tip being passed through a centrally formed circle.
Gallery
See also
- Gemology and Jewelry Portal
- Cross crosses
- Choker
- Collar
- Figaro chain
- Jewelry chain
- Livery collar
- Pendant
- Bead love â â¬
- Pendant
- Torc
- Usek collar
Further reading
7,000 Year Jewelry ed. Hugh Tait. ISBNA, 0-8109-8103-3.
Jewelry Through the Century by Guido Gregorietti. ISBNA, 0-8281-0007-1.
20,000 Fashion Years: Personal Costume and Jewelry History by Francois Boucher. ISBNÃ, 0-8109-1693-2.
References
Source of the article : Wikipedia